studio lighting

Studio and Promotional Photography with Girls of Geek

AJA_0109

One of the main reasons a photographer would want to get into studio photography is to do some kinda commercial work, ideally for some sort of editorial or promotional purposes. With some help the ever wonderful Girls of Geek I was able to get some practice in with shooting the girls as they modeled clothes from their website.

AJA_0099

Key to promotional photography is showing off what is being promoted, whether that’s a clothing line or a life style it needs to be made obviouse what you’re trying to sell in the shots. In this case it’s not only the clothes the Girls of Geek are selling but it’s also their brand. The girls are very good at keeping their brand consistent so really all I have to do is make sure the shots are good.

AJA_0098

Since This was being done in a studio environment the lighting set up is entirely under my control and as such I’m in charge of it works. For this set up I had two clamp lights set up at both ends of the back drop working as a As a back light, kick and fill all at the same time. This was designed specifically to create separation from the backdrop and make sure dark clothing and hair can be outlined and not feel like it’s part of the background.  At the same time I used a 1k Soft box as a key light that gave nice soft even lighting which also offered a nice catch light in the girls eyes.

AJA_0090

My  favorite thing to shoot in this new round of studio experiments was the Girls of Geek new Hoodie. It’s a great piece of clothing and is now on sale on their website (girlsofgeek.com). Shooting it made me pause with concern because of the dark of the pieces outlining the hoody but my lighting set up as well as some fancy post processing allowed to come out against the black backdrop.

 

AJA_0082

I think from here on out I’m going to refine this style for my studio photography long term. I like what I’ve come up with now what I want to do is refine it. Possibly get a grey backdrop and get all my lighting lined up the way I want it but over all I think that this might be my permanent studio style in the long term.

AJA_0054

Studio experiments with Tara as Catwoman.

AJA_0160

I have this love hate relationship when it comes to shooting in a studio environment. On one hand you have nothing but control when it comes to every aspect of the photos, the downside is that it really does limit your creativity when it comes to composition.

AJA_0138

The entire shoot was done against a black backdrop using 2 1K Flouresent lights with softboxes with a 200 watt clamp light as a back light. Being from a video background I end up using continuous lighting over strobes just so I don’t have more gear than I need. While strobes do have some benefits over continuous lighting, for what I do this setup works perfectly.

AJA_0136

Black backdrops have a great effect of creating a void that eliminates any kind of distractions allowing you just to focus on the subject. As a drawback, however, any kind black article of clothing that the subject might be wearing will be lost without a few tricks in post.

AJA_0127

In order to make studio photography work you need to know how to light your subject. There really are about a million and one ways to light your subject. Going back to my video background, I go for a 3 point lighting approach. A “key” light as the main light, a fill light to lift any harsh shadows and a back light to create separation from the background. You can add and take away lights as you see fit but since I’m still learning studio I kept it very basic.

AJA_0118

I think for future studio ventures I’ll try playing with different set ups to see what kind of looks I can create with different lighting . The next couple of shoots that I have in the pipeline are on location and not studio which is more my element but it’s a nice skill to have when it comes to photography.

AJA_0094