portrait

Joy as Spider Gwen

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When you spend some time specializing in a certain field of photography people start to come to you specifically for certain types of images. In this case Joy approached me about doing a photoshoot involving her new Spider Gwen suit.

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When it comes to shooting any costume based set the first thing I always think of is “what location does this costume work in”. In the case of an urban super hero I wanted to keep it as urban as possible. Downtown Albuquerque provided plenty for the aesthetic that I was looking for. We shot at and around the civic plaza and found plenty of things to work with and even found a few hidden gems in the process.

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The best part of shooting with Joy was how much of a trooper she was. I asked her to climb up to different ledges and railings while balance herself without any compliant and it added so much more to the shots.

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The big thing I’m trying to be better at as a photographer is collaboration. Receiving input and ideas from different sources and putting it into use. In this case my part time assistant and full time girlfriend Emilie was much more involved in location scouting and posing and I gave her free reign to give suggestions to try out. This system works especially well because even if an idea doesn’t work you can easily say hey we tried and move on. But all of Emilie’s ideas worked perfectly so there was no need to worry.

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During post processing the main challenge I faced was balancing out exposure and color. The white portions of the suit caused some major highlights and when getting them balanced out brought in a blue coloring which could be changed in white balance. Post is always a game of feeling out the image and experimenting with what works and what doesn’t.

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The images came out extremely well and we got some very unique looks throughout the shoot. It’s always great to get to work with new talent . Joy lives up to her name by being a fun new model to shoot with and I look forward to more work in the future.

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Shooting with New Models: Ashley Perry.

AJA_0072More often than not people always tell you that it’s all about networking when it comes to getting jobs and people finding your work and that’s exactly what happened this weekend when I helped Ashley Perry start her modeling portfolio.

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Ashley was referred to me by someone I did a shoot with a month prior and since she just got into a modeling agency, she needed to get some portfolio images put together. All the photographers her agency refereed her to were very expensive so I cut her a deal.

AJA_0066Working with a new model is always an interesting experience and you never quite know what to expect. Sometimes they can be a bit timid or shy especially around the camera. However, Ashley didn’t have any of these problems; she was very comfortable around the camera, was able to give me different looks and took direction extremely well.

AJA_0031One of the biggest factors in any shoot is the weather during the shoot. The photography gods very gracious in giving light overcast, no wind and moderately warm temperatures giving me everything I needed to just do my thing and shoot. There was one point where the sun was piercing through that clouds but it was at golden hour making for some excellent light.

AJA_0113For this shoot I relied heavily on my 85mm 1.8g lens for most of the shots. I played around with using the 28mm and the 50mm but everything always comes back to my work horse lens. I shot exclusively at f2.8 making sure I got enough sharpness and detail out of Ashley while still getting nice Bokeh (blur) in the background.

AJA_0033As far as post processing goes I kept things very simple. I tried to bring in as much contrast and color as I could while still keeping things natural. I ran in to some issues with Ashley’s tan skin but I normally get around that by bringing in some vibrancy but pulling down the saturation. Other than that I did some spot correcting, but nothing super drastic. When I edit my portraits I try to keep things subtle while at the same time making things pop.

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Over all it was an extremely fun shoot and I’m looking forward to working with Ashley in the future.

 

 

 

 

 

 

Snow in the 505

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Snow might not be that uncommon in late February in certain parts of the northern hemisphere but in Albuquerque if it does snow it’s usually no more than a half inch sheet and will be gone by the afternoon. So when we get 8 inches over two days a portrait photographer like myself needs to take advantage.

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Now getting a model to do a shoot at the last minute can be a hassle but lucky for me, my lovely girlfriend Emilie was more than willing to be my subject out in the bosque.

AJA_0037Normally in complex weather conditions you get an excellent side effect with overcast acting as a giant softbox in the sky.  The problem was is that the sky was only partly cloudy so we didn’t get the soft light I wanted 100% of the time, making shooting a bit challenging. Lucky for me though, I was able to keep my ISO at 100 making for optimal image quality.

AJA_0032One thing you might be noticing from the images is that there is a lot of light being reflected upward. This was an added effect of the white snow on the ground reflecting the light back up at Emilie.

AJA_0117The snow allowed for some unique aesthetics that we don’t get a lot of where I’m from and I’m grateful for the opportunity. But to be completely honest I can live without the snow. It makes it hard to move around and the cold makes it limiting in terms of wardrobe. If it could just be in the upper 60s with constant overcast I’d be in my own photography heaven but we can’t always get what we want. But you know what we all have work with what we’re given and when you’re given something different you owe it to yourself to try it out.

 

 

Group Shoot in Down Town Albuquerque

DSC_0034This weekend I got together a couple of friends who aren’t that camera shy and made a big shindig in the downtown albuquerque area. This was one of the first planed theme shoots and it was the first time that I had any kind of vision going into a shoot…

DSC_0103and as a result I just ended up being one of those shoots where I just wung it as usual. I guess it’s just and old habit that I have but no matter how much pre plan and production in mind I always operate best when I’m just going with the flow and overcoming the challenges.

DSC_0135 The big challenge was trying to handle all the different peopled what were present in the shoot and dealing with all their personalities meeting all at the same time. It’s not so much that they were difficult to deal with it’s just that “Too many cooks” problems you deal with when you try to get stuff done.

DSC_0249It was rather fun getting a bunch of people together for just an hour or so to just get together but the over all drawback of having to play a game of Model Carousel and getting everyone in enough.

DSC_0335 When all is said and done we headed to bar, had a drink and just  fucked around like normal human beings.

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Fitting in time for photography.

Trying to be creative during a college semester can be extremely difficult, especially when all the classes you are taking are the University core requirement and  you have a part time job that are not exactly designed to stimulate your need for creative production. This becomes incredibly prevalent for photographers who think to themselves on a regular basis, “I would rather be out shooting.”As opposed to whatever political science class that you’e sitting in. If this is the situation that you find yourself in the only advise that seems plausible is to make time to go shoot every once and a while. This can be fairly hard to do sometimes but if you can  pull it off it can be extremely rewarding.

A few weeks ago in Albuquerque it finally felt like winter had fully kicked in with overcasting clouds and a light amount of snow which at first doesn’t seems too conducive for photography but I though to myself that if the overcast kept up it would be perfect for a mid afternoon shoot downtown. Sadly I misjudged New Mexico’s ability to stay consistent weather wise and it went back to being in the mid 60’s with bright sunny skies. However that didn’t stop me. I put out a post on facebook if anyone wanted to take part in a impromptu photo-shoot down town and like most statuses it go a handful of likes but not a huge response. However one person did happen to respond.

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Tara, a friend of mine that I have done photos of several times in the past was the only one who responded to the call so we arranged to meet up down town to snap off some shots in some of the back allies, parking grarges and other interesting locations in the down town area.

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One thing you’re always going to find in any downtown metro area is various degrees of street art and graffiti which can always be a great back drop for urban style portraits. Whether they are just a bunch of random tags some hooligans put behind random buildings or if they were beautiful works or art by a local artiest it’s always a great scene to add to your photos. The thought of shooting in back alley’s can seem a little bit sketchy but if you play it smart and don’t draw a whole bunch of attention to yourself you’ll be just fine. People will often leave you alone if you leave them alone. Especially when you’re shooting.

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One thing that should be kept in mind at all times is lighting. Being that this was done in the middle of a bright day it was important to find shaded areas to get nice even lighting. There are of course other techniques and styles you can use to manage the light but the important thing is that you do what you feel works best for what you want to do.

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The most important thing with being out on a shoot is to have fun really. If this was in anyone a more professional shoot with the photos having a more distinct purpose I would have taken in more seriously but this shoot really was for the sake of having fun. Tara is a relaxed and easy going person to be around and it made shooting with her all the more simple. You don’t have to get into insane director mode and you don’t have to be picky you just have to shoot.

I’m not only doing random portraits over the semester either I’m also doing freelance work with my universities independent student news paper so I also get to do that kind of photo work which is really exciting. Hopefully I get to do more photos in the near future.

Family Photography: Patience is a Necessity.

Patience is one of the most underrated qualities a photographer can have when it comes to shooting. Especially when it comes to shooting some difficult subjects, in this case children. Children seem to have this unlimited tank of energy that is feeding into their motors at all time. A quality that I feel most adults still envy. But because of this constant energy it’s impossible to get them to hold still and keep them in one place long enough to get a shot.

This weekend I was asked to do a shoot with someone I’ve worked with before and get photos of her and her daughter. The little girl in this situation was a perfect example of the previously mentioned motor with an infinite fuel tank. To the mother in this situation it seemed like a lost cause getting her to hold still and get photos but I assured her that I could get in done. When I shoot photos I’m looking for moments as opposed to posses and this shoot was a great example of that. As opposed to getting the images you would see out of a sears portrait studio I want to capture the interaction between the subjects and try to bring out relationship between a mother and her young daughter.

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Containing a child’s personality is like trying to catch a bullet with your bare hands. The best you can do is get the child to feel like they’re playing along. While at a local park  it can be very easy for a child to get distracted but instead of looking at this as a frustrating situation you should look at it as an opportunity to capture a great moment. There is nothing more nostalgic than a child treating the whole world as it’s playground.

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I’ve always had more fun with photography by keeping it organic. Let things happen in front of you and you can capture things that are unique and different as opposed to something that feels staged and orchestrated. Why should shooting portraits be made to feel like your trying to make a family look happy. If you can get the right kind of interaction you will just naturally bring out that happiness by just letting them be themselves. To them mother it can be frustrating to handle a hyperactive child but it is still plain to see the love and care she has for her daughter.

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There is nothing wrong with trying to get the perfect image but sometimes if you try to force it you’ll never get that image. If you show some patience and look for the right moment the perfect image will come to you. That being said you should also still go out and shoot. If you constantly sit there and wait for it to happen you’ll miss out on opportunity elsewhere. Sometimes you won’t even know you’ve captured a moment till after you got it. Sometimes you just need to dive in but you don’t have to do it with guns blazing.

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