photojournalism

Albuquerque Comic Con 2016: Photos From the Floor

Albuquerque Comic Con 2016 can be considered they year that I mastered getting the shoots I wanted from the floor. The trick that I always knew would work is to slow down. The mistake I’ve always made was not wait on the focus to catch before hitting in the shutter. The images came out tack sharp with that classic subject isolation I’ve become known for. What made Albuquerque Comic Con 2016 so successful was just the atmosphere. Over the past couple of years I’ve made friends with so many attendee’s artist and vendors that it becomes more of a hangout sessions with people you don’t get to see every day.

Behind The Scenes: Desert Darlings Belly Dance Take on Nightmare Before Christmas

My favorite way to shoot is in a candid fashion and try to capture moment. Posed portraits are great, and performances are chaotic in some of the best ways but being able to capture the world around you in your own personal vision allows for some of the most striking visuals. Thankfully The Desert Darlings Belly Dance gave me the opportunity to do some Behind The Scenes Shots of them getting ready before their big Nightmare Before Christmas Show in  Santa Fe.

BTS Shooting Before the Shoot.

AJA_0001

Candid Photo journalistic work is my jam, it’s more of what my background is and I feel like the photos just come out better when I take them in a much more natural setting.

AJA_0016

Portraiture, though, has a much bigger market and people enjoy being part of that process a lot more. So in my great big reunion with my friend Tara we came up with idea for her to get temporary corset piercings done by Scott Self of Evolution Body Piercing out in Albuquerque New Mexico.

AJA_0019

What was so impressive about Scott was how professional he was about what he does and making sure he used a sanitary work environment. We even had a brief conversation about the States broken licencing practices and the issues he has seen with it. Needless to say if I ever decided to get a piercing one day I now know who to go to.AJA_0028

Tara of course being true to form was an absolute trooper and a joy to work with. She got through the piercing process in no time at all and with no complaints what so ever. You also have to appreciate that she had just gone through lasik eye surgery the day before, which was something I was concerned about going in and it turned out to be a complete non issue.AJA_0026

The resulting photos came out amazingly and the photos from the actual portrait shoot are some of my new favorite images in a long time. Stay tuned for those. AJA_0035

Denver Comic Con 2015: Lessons From a Large Convention

AJA_0189

Denver Comic Con 2015  by a landslide was the largest pop culture convention that I have ever attended. With over 100,000 people in attendance over the Memorial weekend, the challenges that I thought I knew about candid photography in a convention environment couldn’t have been more frustrating.

AJA_0185

At any kind of comic convention crowds are a given. No matter how large the space is, no matter how well designed the flooring is, there is always going to be an issue with crowding. What I wasn’t expecting with how dense the crowding was going to be at just about every turn. Many of the shots I had taken were lost or ruined by the amount of people blocking  subjects or intruding in parts of the frame. The only real solution to this problem goes back to the age old saying- if the shots not good enough, you’re not close enough.

AJA_0154

I found myself being uncharacteristically timid during my time in Denver. Maybe it’s because I hadn’t been in one of these candid environments in a long while but I found myself being further away from my subjects and not being in the scene that I was shooting. As time went on I got better about it and just needed to kick off the rust but a lot of my work suffered because of it.

 

AJA_0135-2

Another tenant I forgot when shooting in Denver was patience. While going through my edits when I finally got home to Albuquerque I noticed that large sum of my photos were severely out of focus. I had forgotten that when shooting in continuous auto focus you need to give the camera time to lock focus and not just start shooting the moment you point the camera. Even when I was on the floor shooting I knew that I had hit the shutter too early. Some photos had more obvious flaws then others but none the less many were lost because of a itchy trigger finger.

AJA_0107

A big thing that could have helped me in my photos would have been to slow down. Today’s camera technology has conditioned many to adopt a spray and pray technique that may yield some lucky grabs but it doesn’t replace good technique when it comes to getting a high percentage of keepers. Often I set myself up with gear like Prime lenses to make sure I take my time but I noticed on many of my snap shots that I had issues with composition and camera shack that wouldn’t have been there if I had just slowed down a bit.

AJA_0087

One thing that could have helped me was actually bring my desktop to edit at the hotel every night so I could see my work from the past day and see what I was getting. Having the opportunity to reflect on my work and see what was working and what wasn’t could have helped improve my shooting that weekend. It’s like going back and watching tape the day after the game. But of course hindsight is 20/20 and you can’t don’t get any extra lives.

AJA_0069-3

Though there are plenty of frustration that came out of shooting this convention there are still some stellar diamonds in the rough in this take. Any photo outing you can be expected to take hundreds of images expecting that maybe only 10% of them survive the gauntlet of editing. I left Denver Comic Con with almost 900 images on an hard drive and by the time I had it widdeled down there were about 268 left on the block that got toned and exported. So over all I can’t say the entire outing was a failure. I just believe I could have done better.

AJA_0069

Once I had made it down from Albuquerque, kicked a stomach bug, and found time between errands and my day job, I got to editing the photos and the trend began… So much black and white. I’ve recently had complaints that I do it too much but quite frankly photography and photo editing like any art form is subjective. My decision to make photos colored or black and white comes out of a feel for the images and if I feel like that image works better in black and white that’s what I’m going to do to it. If a client was paying me for a shoot and specifically asked for all photos in color I would, but in my own creative freedom I’m going to do what works best for me and my sensibilities.

AJA_0045-2

There are certain set of instances where black and white has advantages over color; such as low light situations using higher ISO’s. The noise looks more like film grain in black and white and you don’t have to worry about lost color detail because you’ve thrown the color out the window; also busier backgrounds aren’t as distracting which befits candid shots well. Color can still work in these situations but you never really know how it’s going to work out until you spend some time toning the images.

AJA_0037-2

Cosplayers put a lot of work into their outfits (some more than others) and they want the pictures taken of them to show of as much of the costume and details as possible. My shooting style doesn’t really do that very well. I am much more concerned with getting a good image than I am showing off a good cosplay. Elements like interaction, juxtaposition, action, and raw emotion are more of what I’m looking for in a shot. Not how well made the costume is. A good costume can go a long way in catching my eye and dragging my lens to it but if that photo doesn’t come out that way I want it to I’m not going to share it with the world.

AJA_0033

What I love about these conventions is their diversity. People from all walks of life, backgrounds and mentalities come to these things for one purpose and that is to just have a good time and celebrate the things they are unironically enthusiastic about. It can be done in almost a million different ways, dressing up, meeting people who have worked on some of your favorite pieces of entertainment, or just buying new things to add to their nerd collections. You definitely run into some interesting characters at these things.

AJA_0027

However after several years of attending these events and shooting them the way I do, I seem to be developing a since of Convention Fatigue. I maybe end up attending 3-5 different conventions a year and the more and more I attend them the more I feel like I’m just going through the motions. Last year Denver Comic Con was my favorite convention I had ever gone to. This year it just felt like another convention just this time with 100,000 people crowding around.

AJA_0021-2

Denver Comic Con didn’t particularly do anything wrong this year. They just didn’t offer anything new for me. Perhaps I just need to take a hiatus from conventions for a while. Albuquerque doesn’t have a Summer con this year so that gives me an opportunity to get some distance from the nerd circus and be able to come back to it with a fresh take.

AJA_0013-2

 

But who knows, maybe that’s just the nerd flu talking. Knowing me I’ll end up caving and submitting for another press pass for the closest convention before anyone knows it. But for now I think I deserve a rest.

AJA_0004-2

A Few Glitches Won’t Stop The Protomen

To kick off Denver Comic Con 2015 the big guns were literally pulled out by giving the main stage of the opening ceremonies to the Protomen.

AJA_0005

I’ve known about the band for years going back to a friend’s non stop jabbering about their musical brilliance, and after seeing the chaotic masterpiece in person I can now see what all the hype was about.

AJA_0012

The show was clearly not the smoothest ride the band has ever had;  with numerous problems with equipment and instruments deciding to just not work at crucial times, the performance was wrought with technical difficulties. Despite the obvious frustrations the show went on and the Protomen rolled with the punches like champs.

AJA_0017

Carrying the performance was the rhythm section. Like any vital part of the body the drummer acted as the heart beat of the band, especially when things continued to go wrong on stage. The performance was held together by the unrelenting pounding sensations from the drums and it covered any mishaps that could only be heard by the trained ear.

AJA_0014

Live performances often come down to how much energy is in the room. The Protomen certainly didn’t lack any as they brought their distinct ability to connect with the crowd along with their enticing theatrical performance, all of which compliment their melodic identity.

AJA_0105

While their ability to power through all the annoying glitches that plagued their performance there was a nagging feeling the band was robbed of a proper sound check. Through out the show there seemed to be a lack of balance and it could have a been the obvious cause of the bands woes throughout the show.

AJA_0034

To be completely fair I did spend a vast majority of the show in the very front of the stage and my head was right next to the guitar amp, I noticed that the further away from the stage I was the more I found that the sounds from the PA system was more balance.

AJA_0111

A big factor of any show is the venue of course and that presented a set of challenges of its own. Essentially they were playing a giant convention hall with chairs filling most of the space that was available. There was probably only 10 feet of space between the front of the stage and the first row of chairs and could only fit only the most enthusiastic of fans who wanted get the full effect of the show.

AJA_0086

Despite all the woes and frustrations the band showed a great amount of enthusiasm and humor towards the situation. With several cracks about how you have to respect gear only to turn around and have the lead singer say “Forget what I said…Fuck gear”

AJA_0188

If one word could be used to describe the show it would be exhilarating. It’s not very often that you get to experience a live performance from a unique sounding group that creatively use their tools to put together a performance that gives you the urge to look at their past work and see what the group is actually made of.

AJA_0183

Denver Comic Con 2015 Preview

DCC-41

Con Season is now upon us and to kick the epic summer off, I’m making the trip up to Denver for the second year in a row. Last year DCC was the biggest convention I had ever attended and this year I’m expecting it to be even bigger and better than ever.

DCC-46

Denver Comic Con was the text book definition of comic book conventions; with amazing and weird panels, Cosplays ranging to a intricate Galactus and a closet made Silent bob, and vendors selling all the nerdy goodies that you can find.

DCC-33

Again like last year I’ll be covering the event in coordination with Nerdout Entertainment and Catamelt.com as the designated camera man. Hopefully this year I can improve the production quality (and apply some color grading to the video).

DCC (68 of 90)

Major change ups from last years Con include the amount of man power that I have available to me and the ideas my partners and I have cooked up. I normally go into conventions blind but this year Nerdout Entertainment and I have a clearer game plan on how we want to tackle the event.

DCC (52 of 90)

Polish will be key for content this year. Last year I put so much emphasis on just getting the content out that some things (like the video productions) suffered and I plan to rectify that this year.

DCC (2 of 90)

Another exciting thing about this years event is the amount of people I know that are going to be at the conventions including some of my favorite cosplay type people Like Cheesecake Panda and ChayAra.DCC-27

Excited for this year and I hope to get all the great images for everyone.

UNM Journalism Boot Camp: Photo Essay

The University of New Mexico’s Communication and Journalism Department hosted their annual Journalism Boot Camp where they get many media professionals from all over to come to give their insights on the industry and educate aspiring journalist on the things they need to know to do the job in the modern era. I spent weekend capturing the event and the different panels over the weekend.

DSC_0258

Associated Press reporter Russell Contreras discusses how to cultivate sources and how to get the best information out of them.

DSC_0239

KUNM News Director Elaine Baumgartel educates students on the challenges of vetting sources amd getting to the truth.

DSC_0223

Editor for the New Mexico Business First Rachel Sam and various other editors from local papers elaborate on the avenues that college gradates can take to find employment in the journalism field.

DSC_0168

Veteran Reporter Sam Donaldson interacts with UNM students discussing his experience in news media.

DSC_0151

Photographer Steven St. John captures moments from Sam Donaldson’s key note speech with the boot camps attendees.

DSC_0116

Investigative Producer for KRQE Jeff Proctor presents the differences in reporting between the mediums of television and print and how they come together online.

DSC_0062-2

Journalism student Rebecca Cox listens to a lecture on visual presentation’s in the press and how each publication has its own style and restrictions.

DSC_0049-2

Seasoned Photojournalist Mark Holm directs an activity that teaches students to become stronger storytellers in a collaborative way.

DSC_0046

Andrew Oxford of The Taos News (left) Nicole Perez and Robert Browman of the Albuquerque Journal explain to UNM students the process of reporting breaking news.

DSC_0029

Howl Reporter Brianna Gallegos checks her phone while in between panels at the Journalism Bootcamp.

DSC_0027-2

Daily Lobo Photographer Kanna Mammadii sits in for a panel on visual presentation.

DSC_0018

Public Square Producer Megan Kamerick and Crime Journalist Robert Browman setting up the presentation for their panel on breaking news.

DSC_0007

Carlos Ayulo from the St. Louis Post-dispatch discusses covering a national story when you only have the resources of a local paper.

Albuquerque Comic Expo 2014: Street Photography on the Show Floor.

ACE-28

The Albuquerque Comic Expo has now came and went and there are a tone of photos to share from the show floor. Like Most Conventions I spent most of my time shooting in a candid fashion carrying myself as a photojournalist. ACE was so kind as to present me with a press pass for the event giving me free range to shoot where ever whenever (within reason.)

ACE-32

For this event I shot exclusively with my 85mm 1.8 on my D600 Shooting at f2.5 and 1/400 of second, changing my ISO depending on where I was and the lighting that was present. On the show floor my ISO was at about 3200 and in the lobby it was dropped to about 800.

ACE-25

My 85mm has always been my workhorse lens. I like having the short telephoto length to where I don’t have to be getting up in people’s faces but I can still be present in the scene. Many street photographers like using a more standard focal length like a 50mm or a 35mm. For me those angles are a little to much on the wide side. If I was confined to a tighter space I would probably use a 50mm but I didn’t want to be getting into peoples faces with my camera. I wanted them to act natural at the convention.

ACE-44

The greatest thing about these conventions is the visual variety. People will dress up as their favorite comicbook, video game, Anime or movie characters, They’ll wander around the show and look at all the artist and vendors selling their merchandise and they’ll interact with each other in unique ways giving interesting Juxtaposition.

ACE-81I always leave conventions 1. exhausted but 2. pleased with the experience. I always leave making a couple of friends, taken tons of good images that seem to get a lot of people’s attention. And that alone makes the exhausting 3 day work weekend all the more worth it.

ACE-88

 

 

 

 

Photographing Albuquerque Comic Con: The Challenges of Low Light and Crowded Spaces

This past weekend was Albuquerque Comic Con (ACC) and as previously mention I went to to cover the event in a photographic fashion. This year the event was being held at Hotel Albuquerque down in Old Town and while it was a great venue it came with some of the hardest conditions to shoot in. 2 factors played into making this assignment challenging .1) The lighting was awful. It was a dimly lit hotel all over the show floor using mainly tungsten light bulbs with some areas letting natural light in through windows. 2) Incredibly tight spaces with a large turnout made crowding and moving about the area difficult. Both situations were manageable however with just a little know how, patience and letting go of some nit picky things.

The main thing I needed to figure out was how I was going to deal with the low lighting. Being that the light was so low I pushed the ISO to 6400 on my D600 and was shooting at a wide open aperture.  The workhorse lense I was using all day was my 85mm f1.8g and it pretty much never came off the camera body. Ideally I would have liked to stop down to f2.8 or f3.2 to get some added sharpness and depth of field but I needed all the light I could get so wide open at 6400 was where I had to go.

OnTheFloor-7

 

As a result I had to sacrifice keeping slight amount of grain out of the images and the risk of missing focus on the subjects in order to get properly exposed images and cut down on motion blur. As an added bonus for shooting at f1.8 I created some excellent Bokeh (out of focus areas) to cause awesome subject isolation. Now a lot of other photographers that were there covering the event were handling the low light differently by using a flash. There is nothing wrong with using a flash but I personally don’t like using an on camera flash that is going to cause some awkward shadows in the background and not to mention being that I wasn’t there shooting in an official capacity I didn’t want to draw too much attention to myself while I was on the floor. (Note: I was aloud to shoot this event I just wasn’t there for a publication or affiliated with the con itself.)

 

OnTheFloor-34

 

So the main thing I did to handle the crowded spaces was to stick with my already tried and true style of shooting candidly/journalistically. As previously mentioned in a past article on convention photography you see that a lot of people will stop the cosplayers in the hall and ask them to pose or take a photo with someone else. At this event especially it caused some problems with blocking traffic and resulted in some missed opportunities to capture moments as opposed to posses.  So by shooting in aperture priority and high ISO and keeping tabs on what shutter speeds I was getting I just kept shooting on the go. There were times when I would miss focus or get some annoying backlighting messing up my exposure but for the most part this style served me well. I couldn’t quite nail focus on every shot I took but being that I was shooting candidly and not posed portraits I didn’t lose much sleep over not having the sharpest image possible.

 

OnTheFloor-26

Now it wouldn’t have been a convention if my cosplay friends hadn’t asked me to take some portraits of their cosplays. This is how the final challenge of the con took place, finding a secluded area to shoot that has useable lighting. Long story short I was able to find a place outside with no people around to get some portraits of my friends. Now I could lower my ISO to low and noise free levels and stop down my aperture to f3.5 and f4 to get that added sharpness.

Kenya-5BlairAndSid-3

OnTheFloor-3

Overall it was a great event and I got some stellar images out of the whole thing. So far I’ve been getting incredible feedback and it’s always great to shoot cosplay.