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Gotham Girls in Downtown Albuquerque.

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Concepts are not my strong suite, I primarily focus on shooting. My mind is always focused on what my setting are, is my compositions clean where are my highlights and what do I need to change in a given moment. That’s what I like about photography, that feeling of being in the moment and being able to adapt in any situation to get exactly what you want out of a given situation. Lucky enough for me  I get to work with different people who can come up with concepts for me.AJA_0068

While scrolling through my various social interwebs areas I came across a post by Jenna Lay (scene here as Catwoman) asking if anyone would be interested in shooting a Catwoman and Poison Ivy themed shoot with fellow model Taylor Hayes (Poison Ivy). This being particularly up my alley in terms of things I like to shoot I volunteered. Summer was drawing to a close and I’m never one to turn down and opportunity to shoot.

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I offered up a location in Downtown Albuquerque that I had previously shot with Tara (See those Photos here) that gave the perfect mix of urban concrete and green plant life which was perfect for the characters we would be representing. It allowed us to be relatively in the same space while at the same time we could get a variety of different looks without going too far which for costume based photo shoots in public areas is a good thing. The over all shoot took less than an hour and didn’t require much gear. Really it was just my standard body and lens set up and me just keeping and eye on my exposure the whole time.

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The more and more I shoot the more I can see some of my personal style points becoming drastically prevalent. Especially when I shoot models I want my subject to fill the frame. Props and backdrops should be exactly that back drops. Having the subjects as a the main focus makes it easier for the audience know what they’re supposed to be seeing and not getting distracted by something that draws the eye away. Visually I’m trying to get the sharp areas sharp and the areas that don’t matter soft and bokeh-ee. It’s primarily the reason why I’ve gotten away from using the skin softening brush, I’ve fallen in love with getting a rich level of detail in people’s faces and all that the skin softening tool really does is dull out yours images and make them look like those terrifying dolls your sister had as a kid.

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In editing (where the photos come together) I have also come up with a certain style. If anything it amounts to fine tuning of images in lightroom. Adding contrast, pulling shadows, dropping highlights getting exposure balanced out and doing very little to almost no changes to the physical image. I come from a photojournalist background and I refuse to mess with the physical elements of an image. For portraiture I will make some compromises like healing out obvious blemishes and making some changes on request to color especially when wardrobe doesn’t match. But other than that I try to keep the physical space untouched but that’s just me. Some people may not share my same sentiment when it comes to editing and think that’s okay but that’s not what I want to do to my images and I think they are better off that way.

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Girls of Geek at Geekon: Personality in Portraits.

Photojournalism is my passion. It’s photography in its purest form in that you are capturing moments while you yourself are in the moment. Portraiture, which I also enjoy, doesn’t capture a moment. It’s more or less a staged moment for the sake of creating a photograph. This doesn’t make Portraiture a lesser form of photography it just means that instead of capturing a moment you are trying to capture a personality. My most recent outing of shooting with Girls of Geek is a prime example of this.

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The group had invited me out to a morning of shooting on location with a couple other photographers at the headquarters of Geekon; A locally owned company out in Albuquerque that restores and sells classic arcade and pinball machines right out of their garage. When you have a pitch for that kind of location it’s hard to say no, so I packed up my gear and went out to shoot like any sensible photographer would.

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Once again I was working with many different models all of whom I’ve had the luxury of working with before (most of them at the Gotham Shoot). This at least gave me a level of comfort when it came to shooting with the models and being able to communicate with them. The real challanges came when I changed who I was shooting with.

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One thing I really do love about this group of ladies is that they have such a mixed bag of personalities and characters. There is no shortage of the amount of things you can get out of them. However that means that as a photographer I have to shift the way I interact with my subjects as they change out. Some models I would just give a slight direction to and they would adjust immediately (and just about perfectly,) while some needed almost no direction at all (which is the most desirable feature in a model) and others who I worked with to find what was right for them.

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Normally with One-on-One portrait sessions this process is a lot more streamlined because you can work with that individual as long as you need to and eventually you get into a rhythm where the photos practically take themselves. As challenging as this problem may sound, just adjusting your style to fit the model is easy as long as you try to show their personality instead of trying to make them be somebody that they are not.

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More often than not I see people post portraits where their subject almost look like dolls or props just to show off their knowledge of the technical working of photography or their skills in Photoshop. When it comes to Portraiture it’s important to remember that there is a person who is the centerpiece of your photograph and it’s your best interest to give your audience an idea of who your subject is.

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Photography like any other art form is of course subjective. There a million and one decisions that can be made and each one will change the dynamic one way or another and different photographers are going to make different dicisions. Lighting, toning, posing, ect, all go into the process of portraiture and these decisions dictate heavily what your final product will be.

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This shoot had a lot of physical limitations, the big one being space. There was really only so much room that I had to work with in this shoot which really influenced how I shot the whole thing. For starters most of this shoot was done shooting with my 50mm 1.8g. Normally I’d be shooting with my 85mm 1.8g for portraits but the amount of space I had was keeping me from getting the compositions I wanted on the 85mm. The 28mm made some appearances but mostly for group shots.

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Another big challenge was lighting. Being that it was indoors with not a lot in terms of natural lighting, I brought with me my DIY lighting set up that consisted of a 1K florescent light with a soft box and several different clamp lights. Some of the other photographers had their strobe set ups with them. I haven’t gotten a whole lot of experience with strobes but it’s something that I’ve been wanting to look into, however coming from a video background it has made more since to have a continuous lighting set up as opposed to strobes that really only help in photography and not so much in video.

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Once I got into post production I was upset to find that some of the photos didn’t have perfect focus. In portraiture you always aim for the eyes to be in sharp focus and some just weren’t there. Not all was lost but it’s annoying when you lose a great photo to something that many people will nitpick (which I do a lot).

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In post I never really do anything fancy, just some adjustments in lightroom to the contrast, recovering some shadow and highlight detail and correcting some color and clarity. Editing the full take will take me more or less a couple of hours. Being from a journalism background has conditioned me to try and have fast turnaround times when it comes to editing. Some times I will come back for re-edits to bring fresh eyes to the images, but that mostly comes from boredom. You’ll notice that a lot of my photos ended up in black and whites. This decisions usually just comes down to a decision of feel. Some photos just end up looking better in black and white than they do in color. This is more common when as photo was taken in low light and I had to use a high ISO. The noise looks more like classic grain and then you don’t really have to worry about color detail because there is none. But for this photo it just felt right to have them in black and white. Some might find it annoying but they are my photos so sue me.

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If there is anything that can be said about this set of images and the models of Girls of Geek it’s that they have quite a lot of range. As a photographer I love the different things that I can get of my subjects and when it comes to working with this group I feel like I’ve only scratched the surface. Here’s to more working with them in the future.

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Denver Comic Con 2015 Preview

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Con Season is now upon us and to kick the epic summer off, I’m making the trip up to Denver for the second year in a row. Last year DCC was the biggest convention I had ever attended and this year I’m expecting it to be even bigger and better than ever.

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Denver Comic Con was the text book definition of comic book conventions; with amazing and weird panels, Cosplays ranging to a intricate Galactus and a closet made Silent bob, and vendors selling all the nerdy goodies that you can find.

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Again like last year I’ll be covering the event in coordination with Nerdout Entertainment and Catamelt.com as the designated camera man. Hopefully this year I can improve the production quality (and apply some color grading to the video).

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Major change ups from last years Con include the amount of man power that I have available to me and the ideas my partners and I have cooked up. I normally go into conventions blind but this year Nerdout Entertainment and I have a clearer game plan on how we want to tackle the event.

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Polish will be key for content this year. Last year I put so much emphasis on just getting the content out that some things (like the video productions) suffered and I plan to rectify that this year.

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Another exciting thing about this years event is the amount of people I know that are going to be at the conventions including some of my favorite cosplay type people Like Cheesecake Panda and ChayAra.DCC-27

Excited for this year and I hope to get all the great images for everyone.