The Video Piece that I Produced with Nerdout Hangout for Denver Comic Con 2016. Really happy with how this came out. Check it out.
The Video Piece that I Produced with Nerdout Hangout for Denver Comic Con 2016. Really happy with how this came out. Check it out.
This marks my 3rd year of covering Denver Comic Con and it always seems to wow me every year. It feels like this convention only gets bigger and bigger every year and this year absolutely felt the biggest. Being on the floor on Saturday put you elbows to elbows with everyone and mobility was incredibly limited. At many cons this would be seen as an issue with the layout but in the case of DCC this year it was purely due to the shear amount of people packed into the rather large Denver Convention Center. That being said it didn’t stop me from trying to get the best images possible down on the show floor. It’s been a while since I have been able to shoot such a festive event and I hope I get to do more going forward in the future. It is a always important to challenge ones self when getting out to shoot.
Photography is one of my greatest passions, but what you probably didn’t know is that my first love was actually video.This year all the video content taken at Denver Comic Con got put into one video in conjunction with Nerdout Entertainment.
Denver Comic Con 2015 by a landslide was the largest pop culture convention that I have ever attended. With over 100,000 people in attendance over the Memorial weekend, the challenges that I thought I knew about candid photography in a convention environment couldn’t have been more frustrating.
At any kind of comic convention crowds are a given. No matter how large the space is, no matter how well designed the flooring is, there is always going to be an issue with crowding. What I wasn’t expecting with how dense the crowding was going to be at just about every turn. Many of the shots I had taken were lost or ruined by the amount of people blocking subjects or intruding in parts of the frame. The only real solution to this problem goes back to the age old saying- if the shots not good enough, you’re not close enough.
I found myself being uncharacteristically timid during my time in Denver. Maybe it’s because I hadn’t been in one of these candid environments in a long while but I found myself being further away from my subjects and not being in the scene that I was shooting. As time went on I got better about it and just needed to kick off the rust but a lot of my work suffered because of it.
Another tenant I forgot when shooting in Denver was patience. While going through my edits when I finally got home to Albuquerque I noticed that large sum of my photos were severely out of focus. I had forgotten that when shooting in continuous auto focus you need to give the camera time to lock focus and not just start shooting the moment you point the camera. Even when I was on the floor shooting I knew that I had hit the shutter too early. Some photos had more obvious flaws then others but none the less many were lost because of a itchy trigger finger.
A big thing that could have helped me in my photos would have been to slow down. Today’s camera technology has conditioned many to adopt a spray and pray technique that may yield some lucky grabs but it doesn’t replace good technique when it comes to getting a high percentage of keepers. Often I set myself up with gear like Prime lenses to make sure I take my time but I noticed on many of my snap shots that I had issues with composition and camera shack that wouldn’t have been there if I had just slowed down a bit.
One thing that could have helped me was actually bring my desktop to edit at the hotel every night so I could see my work from the past day and see what I was getting. Having the opportunity to reflect on my work and see what was working and what wasn’t could have helped improve my shooting that weekend. It’s like going back and watching tape the day after the game. But of course hindsight is 20/20 and you can’t don’t get any extra lives.
Though there are plenty of frustration that came out of shooting this convention there are still some stellar diamonds in the rough in this take. Any photo outing you can be expected to take hundreds of images expecting that maybe only 10% of them survive the gauntlet of editing. I left Denver Comic Con with almost 900 images on an hard drive and by the time I had it widdeled down there were about 268 left on the block that got toned and exported. So over all I can’t say the entire outing was a failure. I just believe I could have done better.
Once I had made it down from Albuquerque, kicked a stomach bug, and found time between errands and my day job, I got to editing the photos and the trend began… So much black and white. I’ve recently had complaints that I do it too much but quite frankly photography and photo editing like any art form is subjective. My decision to make photos colored or black and white comes out of a feel for the images and if I feel like that image works better in black and white that’s what I’m going to do to it. If a client was paying me for a shoot and specifically asked for all photos in color I would, but in my own creative freedom I’m going to do what works best for me and my sensibilities.

There are certain set of instances where black and white has advantages over color; such as low light situations using higher ISO’s. The noise looks more like film grain in black and white and you don’t have to worry about lost color detail because you’ve thrown the color out the window; also busier backgrounds aren’t as distracting which befits candid shots well. Color can still work in these situations but you never really know how it’s going to work out until you spend some time toning the images.
Cosplayers put a lot of work into their outfits (some more than others) and they want the pictures taken of them to show of as much of the costume and details as possible. My shooting style doesn’t really do that very well. I am much more concerned with getting a good image than I am showing off a good cosplay. Elements like interaction, juxtaposition, action, and raw emotion are more of what I’m looking for in a shot. Not how well made the costume is. A good costume can go a long way in catching my eye and dragging my lens to it but if that photo doesn’t come out that way I want it to I’m not going to share it with the world.
What I love about these conventions is their diversity. People from all walks of life, backgrounds and mentalities come to these things for one purpose and that is to just have a good time and celebrate the things they are unironically enthusiastic about. It can be done in almost a million different ways, dressing up, meeting people who have worked on some of your favorite pieces of entertainment, or just buying new things to add to their nerd collections. You definitely run into some interesting characters at these things.
However after several years of attending these events and shooting them the way I do, I seem to be developing a since of Convention Fatigue. I maybe end up attending 3-5 different conventions a year and the more and more I attend them the more I feel like I’m just going through the motions. Last year Denver Comic Con was my favorite convention I had ever gone to. This year it just felt like another convention just this time with 100,000 people crowding around.
Denver Comic Con didn’t particularly do anything wrong this year. They just didn’t offer anything new for me. Perhaps I just need to take a hiatus from conventions for a while. Albuquerque doesn’t have a Summer con this year so that gives me an opportunity to get some distance from the nerd circus and be able to come back to it with a fresh take.
But who knows, maybe that’s just the nerd flu talking. Knowing me I’ll end up caving and submitting for another press pass for the closest convention before anyone knows it. But for now I think I deserve a rest.
To kick off Denver Comic Con 2015 the big guns were literally pulled out by giving the main stage of the opening ceremonies to the Protomen.

I’ve known about the band for years going back to a friend’s non stop jabbering about their musical brilliance, and after seeing the chaotic masterpiece in person I can now see what all the hype was about.
The show was clearly not the smoothest ride the band has ever had; with numerous problems with equipment and instruments deciding to just not work at crucial times, the performance was wrought with technical difficulties. Despite the obvious frustrations the show went on and the Protomen rolled with the punches like champs.
Carrying the performance was the rhythm section. Like any vital part of the body the drummer acted as the heart beat of the band, especially when things continued to go wrong on stage. The performance was held together by the unrelenting pounding sensations from the drums and it covered any mishaps that could only be heard by the trained ear.
Live performances often come down to how much energy is in the room. The Protomen certainly didn’t lack any as they brought their distinct ability to connect with the crowd along with their enticing theatrical performance, all of which compliment their melodic identity.
While their ability to power through all the annoying glitches that plagued their performance there was a nagging feeling the band was robbed of a proper sound check. Through out the show there seemed to be a lack of balance and it could have a been the obvious cause of the bands woes throughout the show.
To be completely fair I did spend a vast majority of the show in the very front of the stage and my head was right next to the guitar amp, I noticed that the further away from the stage I was the more I found that the sounds from the PA system was more balance.
A big factor of any show is the venue of course and that presented a set of challenges of its own. Essentially they were playing a giant convention hall with chairs filling most of the space that was available. There was probably only 10 feet of space between the front of the stage and the first row of chairs and could only fit only the most enthusiastic of fans who wanted get the full effect of the show.
Despite all the woes and frustrations the band showed a great amount of enthusiasm and humor towards the situation. With several cracks about how you have to respect gear only to turn around and have the lead singer say “Forget what I said…Fuck gear”
If one word could be used to describe the show it would be exhilarating. It’s not very often that you get to experience a live performance from a unique sounding group that creatively use their tools to put together a performance that gives you the urge to look at their past work and see what the group is actually made of.
Con Season is now upon us and to kick the epic summer off, I’m making the trip up to Denver for the second year in a row. Last year DCC was the biggest convention I had ever attended and this year I’m expecting it to be even bigger and better than ever.
Denver Comic Con was the text book definition of comic book conventions; with amazing and weird panels, Cosplays ranging to a intricate Galactus and a closet made Silent bob, and vendors selling all the nerdy goodies that you can find.
Again like last year I’ll be covering the event in coordination with Nerdout Entertainment and Catamelt.com as the designated camera man. Hopefully this year I can improve the production quality (and apply some color grading to the video).
Major change ups from last years Con include the amount of man power that I have available to me and the ideas my partners and I have cooked up. I normally go into conventions blind but this year Nerdout Entertainment and I have a clearer game plan on how we want to tackle the event.
Polish will be key for content this year. Last year I put so much emphasis on just getting the content out that some things (like the video productions) suffered and I plan to rectify that this year.
Another exciting thing about this years event is the amount of people I know that are going to be at the conventions including some of my favorite cosplay type people Like Cheesecake Panda and ChayAra.
Excited for this year and I hope to get all the great images for everyone.
For just over a year now I’ve covered Convention that have graced the fair city of Albuquerque and I have enjoyed quite a bit of success at photographing the show floors of the conventions. Through my work at convention I’ve made friends, connections, and even a small following. However over the weekend I stepped out of the pond that is Albuquerque to shoot at the biggest convention I’ve ever had the privilege to covering at Denver Comic Con.
I got the opportunity to go to Denver when my buddy Seth M Beyers (@ThatSethMBeyers) got us approved for Media Badges for the Podcast/ soon to be media company Nerdout Hangout (Nerdout Entertainment) The essential plan was to drive up to denver with all my gear film, interview, photograph repeat through the whole weekend. Needless to say I’ve done that an now I need to sort through everything and make it into respectable content. All the photos have been taken care of but the footage may take quite a bit of time to get turned over. But without further wait here are the best of the best photos from Denver Comic Con
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