Belly Dancing

Desert Darlings Belly Dance Take On Nightmare Before Christmas: Performance Shooting.

Shooting performances is one of the biggest challenges any photographer has to face. Low light, moving subjects, limited mobility to adjust your shooting angles. Everything is against you and it is probably the best opportunity  to test your skills as a photographer. The stage is set for the viewing experience, not to be convenient for photography. Lights are dim and jelled heavily and  you’re shooting  from where ever you can be out ever you can be out of the performers and audiences way (if you’re a polite photographer.) Over coming these challenges takes know how, creativity and a little luck. All these things come together to put together wonderful images.

All of this was on display for the Desert Darlings Belly Dance performance of Nightmare Before Christmas. While the Performance was amazing the conditions for shooting were less than desirable. I would have to move between scenes, Bump my ISO, stay close to wide open on my aperture and just hope I can pull what I wanted out of the Raws. Over all I’m happy with the images that I got. and even more pleased with being able to capture a wonderful performance

Behind The Scenes: Desert Darlings Belly Dance Take on Nightmare Before Christmas

My favorite way to shoot is in a candid fashion and try to capture moment. Posed portraits are great, and performances are chaotic in some of the best ways but being able to capture the world around you in your own personal vision allows for some of the most striking visuals. Thankfully The Desert Darlings Belly Dance gave me the opportunity to do some Behind The Scenes Shots of them getting ready before their big Nightmare Before Christmas Show in  Santa Fe.

Desert Darlings Belly Dancing Performs at Burts Tiki Lounge.

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Almost any craft should be approached with some level of confidence. For many people confidence comes from years of training and repetition , other lucky individuals just spew confidence naturally. But the confidence that is necessary to perform in front of a crowd is possibly the rarest and most admirable forms to witness.

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The Desert Dalings Belly Dancing group had this confidence on full display on Saturday night when they performed in front of the crowd at Burt’s Tiki Lounge in downtown Albuquerque. Their unique blend of traditional belly dancing mixed with modern sensibilities provided lasting entertainment for friends of the performers and unsuspecting patrons alike.

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Burt’s is a very familiar venue. It bares the attributes for what you’d expect from any other dive bar; Almost non existent lighting, colorful cast of Patrons scattered throughout the place, a sound check and PA systems woefully out of date and a grittiness that only creatures of the night can really appreciate. The main hook that Burt’s offers as a venue is their communal charm that the bar brings. I’ve never seen them have a cover charge for an event and everyone there seems to be having a good time when there is a performance.

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When I’m in photo mode I’m always looking for one thing out of my subjects, and that thing is personality, and there was no shortage of that on display with each performance. Each dancer had a different quality that they brought with them when on stage. Some were more more reserved and methodical with their movements and others had attitude and improvisation flowing through them giving the show a sense of verity.

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The key thing to look for in performance photography is moment, which can be difficult especially with the fast paced motion that you get from a performance art like belly dancing. Their entire body is always in play when they dance and it’s easy to miss something incredible and capture something that is unflattering. If you can just nail down timing and framing of your images you can get incredible results but you also have to account for a bit of luck when shooting.

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Now let’s not tip toe around the subject, performance lighting generally speaking is terrible. I have yet to shoot a performance where the lighting was perfect and I could do what ever I wanted. Live performance lighting is designed to give things atmosphere and provide a certain tone to patrons, but it’s less kind to the sensors in cameras. If you’re shooting stills at a live performance you’re stuck with high ISO grain, shallow depth of field apertures and motion bluing shutter speeds. None of these things are bad qualities in any ways shape or form (except maybe the grainy ISOs) but it’s unfortunate that you’re stuck with such  limiting conditions.

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If anything can be said about the Desert Darlings’ Performance it’s that there was no lack of confidence that night. Those ladies got on that stage and owned it and that is something to be admired. It takes a lot to take something you work hard on put it out there for people to see and it takes a significant amount of courage to do so.AJA_0359

Impromptu Belly Dancer Shoot and Terrible Lighting.

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Stop me if you have heard this one before, a photographer, his girlfriend and some buddies walk into a bar… Okay so there is no actual joke there just a description of your run of the mill Friday night. What was different about this Friday night was that my buddy had a friend named Shannon, who was in a belly dancing performance at a Tractor Brewery in down town Albuquerque. I just happened to have my camera on me like that stereotypical photographer I am and so I offered to take some photos of his friend’s performance and have a couple beers… because why not.

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I have seen belly dancing performances before in the past and they haven’t particularly been something that has caught my interest but this one was a bit different. It had more a burlesque sort of vibe to it which was complimentary to the scene that the show was taking place in. It turned an event for which I had low expectations for  into a rather gratifying experience that was well worth having my camera out for.

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Now of course like in any impromptu photo situation there is a certain amount of factors that you can’t really account for. In this case it was the lighting set up that the bar was using. Now bars normally have terrible lighting to begin with but in all fairness I pretty sure they didn’t design them with photographers in mind. The stage had a single light set up that had more blue gelling in it than anything I’ve ever experienced in my career. The light definitely went with the vibe of the activities and worked really well for the shows atmosphere  but like most performance situations the lighting was not intended for photography purposes and I just have to accept that.

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From the back of my cameras LCD screen there was very little to complain about when looking at the images. Even though I’m shooting in raw the camera is still presenting an internally processed image based on what ever profile settings I have punched in. I keep it on a neutral setting with contrast and saturation turned down for video purposes (It helps with color grading.)  It wasn’t until I got home and brought the images into Lightroom that I notice just how drastically the lighting affected the images. The amount of saturation that the blue light casted on to the images was nothing short of insane. The only real solution I had was to bring down the saturation all together. Little did I realize that most of the exposure was coming from that blue light and as I brought down the saturation the exposure went with it. This called for a very nuanced balancing act when it came to post processing

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After spending a lot of time toying with the images and figuring out what was going to work and what wasn’t I ended up with these very stylized images that almost have a black and white feel with a blue ting to them. Almost like a stylized noir type image. Normally my images aren’t too over the top with how stylized they are but given the situation I think I should be given some slack for going the direction that I did.

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Now the perfectionist in me is frustrated by how these images turned out because I didn’t get the freedom to do what I wanted with the images. But the creative part of me is quite satisfied with how everything turned out because I think photography and art in general is best when you are given limitations to work in. A lot of time artist want to ignore convention and style and just create whatever they want and while that may give them artistic fulfillment the work ends up suffering from being difficult to understand or even look at. I like to work within a box and create things based on what I’ve been given and not with what I wish I have. I’m not nearly as much of a control freak when it comes to my art but at the same time I’m not just throwing buckets of paint on a wall and calling it a master piece

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The impromptu nature of this shoot really did bring out the things I love about photography. The way that everything is just constantly moving and the limitations that I had to work around has a way of igniting that part of my brain that is about problem solving and wanting to do things differently than what i’m accustomed to. AJA_0084

 

So I guess what i’m trying to say is that it was a very good Friday night out.