Albuquerque

Impromptu Belly Dancer Shoot and Terrible Lighting.

Stop me if you have heard this one before, a photographer, his girlfriend and some buddies walk into a bar… Okay so there is no actual joke there just a description of your run of the mill Friday night. What was different about this Friday night was that my buddy had a friend named Shannon, who was in a belly dancing performance at a Tractor Brewery in down town Albuquerque. I just happened to have my camera on me like that stereotypical photographer I am and so I offered to take some photos of his friend’s performance and have a couple beers… because why not.

I have seen belly dancing performances before in the past and they haven’t particularly been something that has caught my interest but this one was a bit different. It had more a burlesque sort of vibe to it which was complimentary to the scene that the show was taking place in. It turned an event for which I had low expectations for into a rather gratifying experience that was well worth having my camera out for.

Now of course like in any impromptu photo situation there is a certain amount of factors that you can’t really account for. In this case it was the lighting set up that the bar was using. Now bars normally have terrible lighting to begin with but in all fairness I pretty sure they didn’t design them with photographers in mind. The stage had a single light set up that had more blue gelling in it than anything I’ve ever experienced in my career. The light definitely went with the vibe of the activities and worked really well for the shows atmosphere but like most performance situations the lighting was not intended for photography purposes and I just have to accept that.

From the back of my cameras LCD screen there was very little to complain about when looking at the images. Even though I’m shooting in raw the camera is still presenting an internally processed image based on what ever profile settings I have punched in. I keep it on a neutral setting with contrast and saturation turned down for video purposes (It helps with color grading.) It wasn’t until I got home and brought the images into Lightroom that I notice just how drastically the lighting affected the images. The amount of saturation that the blue light casted on to the images was nothing short of insane. The only real solution I had was to bring down the saturation all together. Little did I realize that most of the exposure was coming from that blue light and as I brought down the saturation the exposure went with it. This called for a very nuanced balancing act when it came to post processing

After spending a lot of time toying with the images and figuring out what was going to work and what wasn’t I ended up with these very stylized images that almost have a black and white feel with a blue ting to them. Almost like a stylized noir type image. Normally my images aren’t too over the top with how stylized they are but given the situation I think I should be given some slack for going the direction that I did.

Now the perfectionist in me is frustrated by how these images turned out because I didn’t get the freedom to do what I wanted with the images. But the creative part of me is quite satisfied with how everything turned out because I think photography and art in general is best when you are given limitations to work in. A lot of time artist want to ignore convention and style and just create whatever they want and while that may give them artistic fulfillment the work ends up suffering from being difficult to understand or even look at. I like to work within a box and create things based on what I’ve been given and not with what I wish I have. I’m not nearly as much of a control freak when it comes to my art but at the same time I’m not just throwing buckets of paint on a wall and calling it a master piece

The impromptu nature of this shoot really did bring out the things I love about photography. The way that everything is just constantly moving and the limitations that I had to work around has a way of igniting that part of my brain that is about problem solving and wanting to do things differently than what i’m accustomed to.

So I guess what i’m trying to say is that it was a very good Friday night out.

Shooting with New Models: Ashley Perry.

More often than not people always tell you that it’s all about networking when it comes to getting jobs and people finding your work and that’s exactly what happened this weekend when I helped Ashley Perry start her modeling portfolio.

Ashley was referred to me by someone I did a shoot with a month prior and since she just got into a modeling agency, she needed to get some portfolio images put together. All the photographers her agency refereed her to were very expensive so I cut her a deal.

Working with a new model is always an interesting experience and you never quite know what to expect. Sometimes they can be a bit timid or shy especially around the camera. However, Ashley didn’t have any of these problems; she was very comfortable around the camera, was able to give me different looks and took direction extremely well.

One of the biggest factors in any shoot is the weather during the shoot. The photography gods very gracious in giving light overcast, no wind and moderately warm temperatures giving me everything I needed to just do my thing and shoot. There was one point where the sun was piercing through that clouds but it was at golden hour making for some excellent light.

For this shoot I relied heavily on my 85mm 1.8g lens for most of the shots. I played around with using the 28mm and the 50mm but everything always comes back to my work horse lens. I shot exclusively at f2.8 making sure I got enough sharpness and detail out of Ashley while still getting nice Bokeh (blur) in the background.

As far as post processing goes I kept things very simple. I tried to bring in as much contrast and color as I could while still keeping things natural. I ran in to some issues with Ashley’s tan skin but I normally get around that by bringing in some vibrancy but pulling down the saturation. Other than that I did some spot correcting, but nothing super drastic. When I edit my portraits I try to keep things subtle while at the same time making things pop.

Over all it was an extremely fun shoot and I’m looking forward to working with Ashley in the future.

Snow in the 505

Snow might not be that uncommon in late February in certain parts of the northern hemisphere but in Albuquerque if it does snow it’s usually no more than a half inch sheet and will be gone by the afternoon. So when we get 8 inches over two days a portrait photographer like myself needs to take advantage.

Now getting a model to do a shoot at the last minute can be a hassle but lucky for me, my lovely girlfriend Emilie was more than willing to be my subject out in the bosque.

Normally in complex weather conditions you get an excellent side effect with overcast acting as a giant softbox in the sky. The problem was is that the sky was only partly cloudy so we didn’t get the soft light I wanted 100% of the time, making shooting a bit challenging. Lucky for me though, I was able to keep my ISO at 100 making for optimal image quality.

One thing you might be noticing from the images is that there is a lot of light being reflected upward. This was an added effect of the white snow on the ground reflecting the light back up at Emilie.

The snow allowed for some unique aesthetics that we don’t get a lot of where I’m from and I’m grateful for the opportunity. But to be completely honest I can live without the snow. It makes it hard to move around and the cold makes it limiting in terms of wardrobe. If it could just be in the upper 60s with constant overcast I’d be in my own photography heaven but we can’t always get what we want. But you know what we all have work with what we’re given and when you’re given something different you owe it to yourself to try it out.

Group Shoot in Down Town Albuquerque

This weekend I got together a couple of friends who aren’t that camera shy and made a big shindig in the downtown albuquerque area. This was one of the first planed theme shoots and it was the first time that I had any kind of vision going into a shoot…

and as a result I just ended up being one of those shoots where I just wung it as usual. I guess it’s just and old habit that I have but no matter how much pre plan and production in mind I always operate best when I’m just going with the flow and overcoming the challenges.

The big challenge was trying to handle all the different peopled what were present in the shoot and dealing with all their personalities meeting all at the same time. It’s not so much that they were difficult to deal with it’s just that “Too many cooks” problems you deal with when you try to get stuff done.

It was rather fun getting a bunch of people together for just an hour or so to just get together but the over all drawback of having to play a game of Model Carousel and getting everyone in enough.

When all is said and done we headed to bar, had a drink and just fucked around like normal human beings.

Taking Photos with Minimal Equipment.

As you dive deeply into the craft of photography and accumulate thousands of dollars worth of camera equipment, you start to over analyse your needs when you go out shooting. Often times you might end up packing your entire lens collection when you really only end up using one or two; you may pack a tripod even though you’re not sure if you’ll need it for any long exposures. This typically leads up with you carrying loads of equipment strapped to your back weighing you down when you really could have just gone with the bare essentials.

This Memorial Day, I went on a hike with my girlfriend up in the Sandia Mountains of Albuquerque, New Mexico and I decided to only take my D600 with the 28mm 1.8g lens attached along with a strap and a 32 gig card with me. What I wanted to accomplish with this was to work with what I was given on the trail and not get caught up in what lens I should have on the camera. It also made things much easier traveling light, considering how treacherous the terrain would turn the further up the trail we got.

Now it should be known that I’m not a landscape guy when it comes to photography. I often times prefer working with people as subjects, whether that be a model or a pedestrian that I happen to get a candid of, so I don’t always know what to look for in a nature situation. I knew I wanted to capture intricate details, so I knew I wasn’t going to be working with shallow depths of field. I kept my aperture set at f8 and change my shutter speed and ISO accordingly for what the situation was. It was a bright sunny day and around noon so I was able to keep my ISO below 400 and my shutter never dropped bellow 1/125 of second.

The biggest difference I noticed between shooting portraits and shooting nature is that background had become the foreground and how I composed images had changed from finding what angles work to to finding how all the elements in the frame worked together.

Overall it was an enjoyable experience only working with the basic materials of a body, lens and a memory card and the results were pleasing enough, even though I don’t have much experience in landscape photography. I encourage anyone that the next time you go on a leisurely shoot to leave the big bag of equipment at home and just go with a body and lens and see what you can do with just that, and not to worry so much about being prepared for every situation.

Photo-shoots Should be Fun.

Since I started shooting portraits I’ve started to notice how slight details effect the image. Backgrounds, location, time of day, present light, wardrobe, hair makeup, Space, Ect. But there’s one detail that really makes or breaks the success of a photo-shoot, and that would be how easy the model is to work with. This isn’t necessary to say that some models are awful drama inducing divas who are impossible to deal with but it’s a manner of personalities working well together. I’ve been with some models who have been very stone like doesn’t interact well and sometimes require some extra effort to get the photos out of them. There are others who are just the opposite and approach photo-shoots as play time and just like to be free and crazy which to a photographer who is looking for moments, like myself, is perfect.

This last week I did two photo-shoots with two people who really find themselves on the side of just having fun of shoots. Tara and Francesca are two people who I have worked with before in the past and they have been two of my favorite people to work with. Neither of them take themselves too seriously, they’re both incredibly humble and over all just fun people to be around. And as an added bonus they’re good looking.

The first shoot last week was with Tara who is not a model by trade but certainly has the talent and look of one. She’s tiny, adorable and her biggest strength she has no fear. We did our shoot in downtown Albuquerque and her adventurous spirit was beautifully on display throughout. Our goal was to just move around find interesting locations and goof around with the camera. This lead us on an adventure all around downtown, into a park and hijacking the Hyatt’s lobby.

Her willingness to move around, try something new, and even take risk during shoots makes her such a pleasure to work with. She has a lot of good stories she’s easy to talk which makes making a connection with your subject all the more easy. It makes shooting a much all more enjoyable of an experience.

Now onto the veteran, Francesca. She’s been doing modeling much longer than I’ve been shooting and has been a great asset to my photography. She’s always eager to go on a shoot she knows how to pose herself and give different looks and she takes direction very well.

Francesca is very fun loving, and playful and as result tries to pear pressure others into doing shoots with her (Which is fine by me.) She’s also not afraid to try something new and will take direction like a champ. We did our shoot down by Tingley Beach in Albuquerque and we wanted to get that “it’s now summer” feel. Out doors, Near the Rio Grand river, Trees all around and plenty of opportunities for something different.

What Francesca does so well is being confident. She know she looks good, she knows what she’s doing and when the camera is on her she is always active in front of it. Sometimes you need to bottle her up to get the shots of her but once you get on the same page as her the magic happens.

Both of these women are incredible people both in front of and away from the camera and I enjoy having them around. The truly represent what I enjoy about portrait photography. Their patient, daring, receptive, and most of all gorgeous. They’re amazing to work with and I can’t wait to get them in front of the camera again.

Photographing Albuquerque Comic Con: The Challenges of Low Light and Crowded Spaces

This past weekend was Albuquerque Comic Con (ACC) and as previously mention I went to to cover the event in a photographic fashion. This year the event was being held at Hotel Albuquerque down in Old Town and while it was a great venue it came with some of the hardest conditions to shoot in. 2 factors played into making this assignment challenging .1) The lighting was awful. It was a dimly lit hotel all over the show floor using mainly tungsten light bulbs with some areas letting natural light in through windows. 2) Incredibly tight spaces with a large turnout made crowding and moving about the area difficult. Both situations were manageable however with just a little know how, patience and letting go of some nit picky things.

The main thing I needed to figure out was how I was going to deal with the low lighting. Being that the light was so low I pushed the ISO to 6400 on my D600 and was shooting at a wide open aperture. The workhorse lense I was using all day was my 85mm f1.8g and it pretty much never came off the camera body. Ideally I would have liked to stop down to f2.8 or f3.2 to get some added sharpness and depth of field but I needed all the light I could get so wide open at 6400 was where I had to go.

OnTheFloor-7

As a result I had to sacrifice keeping slight amount of grain out of the images and the risk of missing focus on the subjects in order to get properly exposed images and cut down on motion blur. As an added bonus for shooting at f1.8 I created some excellent Bokeh (out of focus areas) to cause awesome subject isolation. Now a lot of other photographers that were there covering the event were handling the low light differently by using a flash. There is nothing wrong with using a flash but I personally don’t like using an on camera flash that is going to cause some awkward shadows in the background and not to mention being that I wasn’t there shooting in an official capacity I didn’t want to draw too much attention to myself while I was on the floor. (Note: I was aloud to shoot this event I just wasn’t there for a publication or affiliated with the con itself.)

So the main thing I did to handle the crowded spaces was to stick with my already tried and true style of shooting candidly/journalistically. As previously mentioned in a past article on convention photography you see that a lot of people will stop the cosplayers in the hall and ask them to pose or take a photo with someone else. At this event especially it caused some problems with blocking traffic and resulted in some missed opportunities to capture moments as opposed to posses. So by shooting in aperture priority and high ISO and keeping tabs on what shutter speeds I was getting I just kept shooting on the go. There were times when I would miss focus or get some annoying backlighting messing up my exposure but for the most part this style served me well. I couldn’t quite nail focus on every shot I took but being that I was shooting candidly and not posed portraits I didn’t lose much sleep over not having the sharpest image possible.

Now it wouldn’t have been a convention if my cosplay friends hadn’t asked me to take some portraits of their cosplays. This is how the final challenge of the con took place, finding a secluded area to shoot that has useable lighting. Long story short I was able to find a place outside with no people around to get some portraits of my friends. Now I could lower my ISO to low and noise free levels and stop down my aperture to f3.5 and f4 to get that added sharpness.

OnTheFloor-3

Overall it was a great event and I got some stellar images out of the whole thing. So far I’ve been getting incredible feedback and it’s always great to shoot cosplay.

Convention Photography Tips.

Well the annual Albuquerque Comic Con (ACC) is right around the corner and chances are if you are attending (assuming you live anywhere near albuquerque and you’re into that kind of thing) you’re going to see a large number of photographers and regular patrons out with their DSLR’s, Smart Phones and point and shoot cameras taking pictures of everyone in a costume. I’ve shot quite a few of these comic book/anime conventions like the Albuquerque Comic Expo (ACE) and smaller ones like Con Jikan, and have seen other peoples photos from said conventions and I have noticed some trends in the photos taken at these events. Some of them good some of them bad and others are in the grey area of photography that is personal preference and style. So here I want to give some tips on how to get some of the best images at these conventions. (Note: These are all personal opinions on what you should do. I am in no way an authority on Con photography nor do I claim to be and the thing about photography is that we all find our personal styles and vision in the craft. I’m just giving you guide in what I like seeing in my personal images when I cover events like this)

Tip #1 Shoot Candidly.

Candid photography at these kinds of events is one of the most underrated styles of photos and people miss out on the opportunity of capturing rare moments that you’ll never get to see in regular day to day life. Where else are you going to capture Members of the Justice League mingling with the Avengers, Joker and Harley Quinn going up an escalator dressed as Batman and Robin or Rick from the Waking Dead eating a cheeseburger in a dining hall? The answer is nowhere else.

If you aren’t looking for candid shots however I’m going to let you in on a little secret: You don’t necessarily have to pull the cosplayers over. In my experience if you go around shooting at a convention if a cosplayer sees you have a camera pointed at them they’ll stop and pose for you. I know, crazy right? It’s quite the change of pace from candid shooting in public where if someone sees a camera pointed at them they get skittish and shy or sometimes even paranoid. It’s actually rather gratifying to know they want to have their photos taken. If you choose to shoot this way I would recommend using a short telephoto like and 85mm lens of even a 70-200 so you don’t have to be getting in their faces. It’s not a nessesaty, just a suggestion.

Tip #2: You don’t have to get the whole costume in frame

This is just a personal pet peeve of mine and I realize that not everyone agrees with me but I get annoyed when I see people get a mediumly wide shots of a cosplayer to get the entire costume frame. It throws off the composition, You’re getting a lot of things going on in the background that are going to be distracting and over all you just don’t get a very good photo. I might be guilty of overusing tight shots I will admit but once again a tighter shot helps keep your composition clean and makes it easier to blow out the background. Now I know many cosplayers will spend weeks and sometimes even months putting their costumes together and they want to show off their work but if they really want to show off they’ll get a photographer to do more professional portraits in them as opposed to just getting images done on the convention floor.

Tip #3 Publish and Share

These days copyright and having images stolen or appropriated is a problem, and sharing them online on places like Flickr or Facebook can be a little risky but in my experience putting the images up and letting people find and tag themselves in their photos has been a huge help in getting my images out there and letting people see my work, and more often than not the response has been incredibly positive. Sure a lot of the times people will only praise the subject in the photo and not the person who took it but if you do quality work people will recognize that and appreciate that and that leads to networking and establishing credibility.

These have just been a couple of tips that you can take to heart if you ever find yourself shooting at a convention. Feel free to try them, or ignore them as you see fit but remember that the important thing is to go and shoot. These Conventions can be fun, exciting and even exhausting but you can get amazing images and meet unique people that you won’t find anywhere else. I look forward to seeing what ACC has in stores for me and am looking forward to getting more images to add to my portfolio. If you are attending I hope to see you there and if you ever get the chance to shoot at a convention I would encourage you to do so. It can be incredibly rewarding.

Photo Shoot at the Bosque

To kick off this holiday weekend I ended up doing a photo shoot. This time it was with a friend of mine who goes buy the name of Kenya who I’ve done work with in the past, specifically on the cosplay side but this time we ended up doing a more casual kind of shoot at the bosque down in Albuquerque.

Kenya Chan on a log in the Albuquerque Bosque

I’ve used the Bosque before on several occasions in the past specifically for the nature element of it which is a nice change of scenery from the often gritty city environments you find around albuquerque. Don’t get me wrong I like gritty but you got to change it up every once in a while. In fact there was an overpass bridge that went over the Rio Grande which gave a good urban piece with some juxtaposition next to nature. To add to that there was a bridge under that bridge which I really got a kick out of.

One thing that I love about shooting outside of a studio environment is the opportunity to capture something organic. I’ve done some studio photography in the past and though I did enjoy it, I felt limited in what I could capture in such a small place. Granted studios have their advantages such as being a controlled environment where you know what you can expect and they afford you the ability to get away from prying eyes for the more risque photo shoots. But being that I come from a more journalistic side of photography when I do the more commercial work I like to be able to move around and use scenery to my advantage.

Kenya by the Rio Grand

Now shooting at a location as opposed to a studio does have it’s share of difficulties. Specifically with lighting. Sometimes there’s not enough, Sometimes it’s too harsh and sometimes something is casting some kind of shadow making the light uneven. There are several things can do about this, 1) is be aware of the light you have and where it’s coming from and 2) is editing the RAW Files in Lightroom. You shouldn’t rely on editing to fix your exposures but there is no harm in tweeking your files in post to get then to look the way you want. There are times where an image can look lost but some simple edits can bring it back. There are other things you can do with reflectors and supplemental lighting but that wasn’t readily available to me for this shoot (Once again a benefit to studio and haveing an assistant.).

Kenya and light through the trees.

Overall this was a really fun shoot and I’m looking forward to hopefully having some more over the holiday break since i will have more time on my hands than I will know what to do with.

If you want to see more of Kenya (Specifically in cosplay) You can like her on Facebook at https://www.facebook.com/KenyaChanCosplay

Weekend at the First Ever Con jikan.

When you think of convention you think about large convention centers filled wall to wall with nerd oriented merchandise and cosplayers dressed in your favorite or sometime even unknown anime characters running around getting stopped every 5 seconds to get their pictures taken. Now imagine all of that shrunken down to at least a 1/4 of the size. That is the experience felt in the first year of Con Jikan.

Attendees of Con Jikan prepare to play a round of cosplay chess

Conjikan behaved like any other local convention I’ve attended over the last year. There were a handful of panels for those interested, a local maid cafe for people looking to be entertained, a gaming room to get the competitive juices flowing, a vendors hall for anyone looking to add to their already impressive collection of god knows what, and of course the one thing every convention needs, cosplayers.

One thing that really worked to Con Jikans benifit was the familiarity to the space and how everything was laid out. Being a student at UNM where the convention was being held made it a lot easier to know where everything is and where I would be able to find it if I needed to ask. Now I can’t speak personally for anyone who may not be familiar with the UNM Sub but the organization for the event felt fairly tight which is impressive when you consider how many things can go wrong at conventions.

The one disappointing thing I would say about Con Jikan is the lack of a unique factor that grabs my attention. Being that I’ve only been working the convention circuit for less than a year now I’m already aching for some kind of variety. As a photographer I feel like I’m constantly seeing the same faces in the same outfits at every convention and I wish there was something different that I haven’t seen before. It also doesn’t help that this was an anime and video game convention when I find that my paradigm of nerdom falls in line with more of the western comics and film. There isn’t anything inherently wrong with this it’s just incredibly limiting to the opportunities of what can be seen at the convention.

Some may be concerned with the overall size of the event, however I don’t believe that being a small convention should be held against it. 1) Because it’s the first year of the convention that is being run by a small group of enthusiast and 2) there is certain level of intimacy when you have a much smaller group. Suddenly it doesn’t feel like the guest are being put behind a glass wall between them and their fans and you get to interact with them more closely.

Jon Sakura, President of gamers anonymous during his Cyber Zone panel.

Over all Con Jikan can be considered a success being that it is such a small convention and has such a small but dedicated crew behind it. As it continues to grow in the future the changes I would like to see is more outreach to sponsors, fans and other parts of the community of Albuquerque. Having a small local convention is great but you have to be diverse in order to set yourself apart from being just another convention and that’s something that I feel a young convention can accomplish.

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